Muishkin, who was but a couple of steps away, had time to spring forward and seize the officer’s arms from behind.
The prince thought he knew what Gania meant by “such a moment.”“But he has never even--”
“Oh, don’t apologize. No, I don’t think I have either talents or special abilities of any kind; on the contrary. I have always been an invalid and unable to learn much. As for bread, I should think--”
“This produced a great effect upon me. I used to dream of the poor old woman at nights. I really am not superstitious, but two days after, I went to her funeral, and as time went on I thought more and more about her. I said to myself, ‘This woman, this human being, lived to a great age. She had children, a husband and family, friends and relations; her household was busy and cheerful; she was surrounded by smiling faces; and then suddenly they are gone, and she is left alone like a solitary fly... like a fly, cursed with the burden of her age. At last, God calls her to Himself. At sunset, on a lovely summer’s evening, my little old woman passes away--a thought, you will notice, which offers much food for reflection--and behold! instead of tears and prayers to start her on her last journey, she has insults and jeers from a young ensign, who stands before her with his hands in his pockets, making a terrible row about a soup tureen!’ Of course I was to blame, and even now that I have time to look back at it calmly, I pity the poor old thing no less. I repeat that I wonder at myself, for after all I was not really responsible. Why did she take it into her head to die at that moment? But the more I thought of it, the more I felt the weight of it upon my mind; and I never got quite rid of the impression until I put a couple of old women into an almshouse and kept them there at my own expense. There, that’s all. I repeat I dare say I have committed many a grievous sin in my day; but I cannot help always looking back upon this as the worst action I have ever perpetrated.”
The flat was divided by a passage which led straight out of the entrance-hall. Along one side of this corridor lay the three rooms which were designed for the accommodation of the “highly recommended” lodgers. Besides these three rooms there was another small one at the end of the passage, close to the kitchen, which was allotted to General Ivolgin, the nominal master of the house, who slept on a wide sofa, and was obliged to pass into and out of his room through the kitchen, and up or down the back stairs. Colia, Gania’s young brother, a school-boy of thirteen, shared this room with his father. He, too, had to sleep on an old sofa, a narrow, uncomfortable thing with a torn rug over it; his chief duty being to look after his father, who needed to be watched more and more every day.| At the beginning of the evening, when the prince first came into the room, he had sat down as far as possible from the Chinese vase which Aglaya had spoken of the day before. |
| “Yes--I don’t like that Ferdishenko. I can’t understand why Nastasia Philipovna encourages him so. Is he really her cousin, as he says?” |
| “She gave it me just now, when I called in to congratulate her. I asked her for it long ago. I don’t know whether she meant it for a hint that I had come empty-handed, without a present for her birthday, or what,” added Gania, with an unpleasant smile. |
“Second proof. The scent turns out to be false, and the address given is a sham. An hour after--that is at about eight, I went to Wilkin’s myself, and there was no trace of Ferdishenko. The maid did tell me, certainly, that an hour or so since someone had been hammering at the door, and had smashed the bell; she said she would not open the door because she didn’t want to wake her master; probably she was too lazy to get up herself. Such phenomena are met with occasionally!”
| “And he won’t go away!” cried Lebedeff. “He has installed himself here, and here he remains!” |
“That seems to me all the more reason for sparing her,” said the prince timidly.
| “Oh, dear, no! Why, they don’t even know him! Anyone can come in, you know. Why do you look so amazed? I often meet him; I’ve seen him at least four times, here at Pavlofsk, within the last week.” |
| “You are unjust; I found him sincerely repentant,” observed the prince, after listening for a time. |
The day after these scandalous events, however, the prince had the honour of receiving a visit from Adelaida and her fiance, Prince S. They came, ostensibly, to inquire after his health. They had wandered out for a walk, and called in “by accident,” and talked for almost the whole of the time they were with him about a certain most lovely tree in the park, which Adelaida had set her heart upon for a picture. This, and a little amiable conversation on Prince S.’s part, occupied the time, and not a word was said about last evening’s episodes. At length Adelaida burst out laughing, apologized, and explained that they had come incognito; from which, and from the circumstance that they said nothing about the prince’s either walking back with them or coming to see them later on, the latter inferred that he was in Mrs. Epanchin’s black books. Adelaida mentioned a watercolour that she would much like to show him, and explained that she would either send it by Colia, or bring it herself the next day--which to the prince seemed very suggestive.
“Ladies are exempted if they like.”“What about Evgenie’s uncle?”
| “This gentleman declares, Gavrila Ardalionovitch,” began the man, confidentially and almost familiarly, “that he is Prince Muishkin and a relative of Madame Epanchin’s. He has just arrived from abroad, with nothing but a bundle by way of luggage--.” |
“What do you mean? What are you convinced of?” they demanded angrily.
“Koulakoff... Koulakoff means nothing. This is Sokolovitch’s flat, and I am ringing at his door.... What do I care for Koulakoff?... Here comes someone to open.”“In a word, you are a wretched little scandal-monger,” cried Gania, “and you cannot go away without a scandal!”
| Colia was a nice-looking boy. His expression was simple and confiding, and his manners were very polite and engaging. |
| “Oh, this is unbearable!” said Lebedeff’s nephew impatiently. “What is the good of all this romancing?” |
| “Oh, my goodness! Just listen to that! ‘Better not come,’ when the party is on purpose for him! Good Lord! What a delightful thing it is to have to do with such a--such a stupid as you are!” |
| “Podkoleosin” [A character in Gogol’s comedy, The Wedding.] was perhaps an exaggeration, but he was by no means a non-existent character; on the contrary, how many intelligent people, after hearing of this Podkoleosin from Gogol, immediately began to find that scores of their friends were exactly like him! They knew, perhaps, before Gogol told them, that their friends were like Podkoleosin, but they did not know what name to give them. In real life, young fellows seldom jump out of the window just before their weddings, because such a feat, not to speak of its other aspects, must be a decidedly unpleasant mode of escape; and yet there are plenty of bridegrooms, intelligent fellows too, who would be ready to confess themselves Podkoleosins in the depths of their consciousness, just before marriage. Nor does every husband feel bound to repeat at every step, “_Tu l’as voulu, Georges Dandin!_” like another typical personage; and yet how many millions and billions of Georges Dandins there are in real life who feel inclined to utter this soul-drawn cry after their honeymoon, if not the day after the wedding! Therefore, without entering into any more serious examination of the question, I will content myself with remarking that in real life typical characters are “watered down,” so to speak; and all these Dandins and Podkoleosins actually exist among us every day, but in a diluted form. I will just add, however, that Georges Dandin might have existed exactly as Molière presented him, and probably does exist now and then, though rarely; and so I will end this scientific examination, which is beginning to look like a newspaper criticism. But for all this, the question remains,--what are the novelists to do with commonplace people, and how are they to be presented to the reader in such a form as to be in the least degree interesting? They cannot be left out altogether, for commonplace people meet one at every turn of life, and to leave them out would be to destroy the whole reality and probability of the story. To fill a novel with typical characters only, or with merely strange and uncommon people, would render the book unreal and improbable, and would very likely destroy the interest. In my opinion, the duty of the novelist is to seek out points of interest and instruction even in the characters of commonplace people. |
| “We have just used the expression ‘accidental case.’ This is a significant phrase; we often hear it. Well, not long since everyone was talking and reading about that terrible murder of six people on the part of a--young fellow, and of the extraordinary speech of the counsel for the defence, who observed that in the poverty-stricken condition of the criminal it must have come _naturally_ into his head to kill these six people. I do not quote his words, but that is the sense of them, or something very like it. Now, in my opinion, the barrister who put forward this extraordinary plea was probably absolutely convinced that he was stating the most liberal, the most humane, the most enlightened view of the case that could possibly be brought forward in these days. Now, was this distortion, this capacity for a perverted way of viewing things, a special or accidental case, or is such a general rule?” |
Rogojin asked his question like a lost soul appealing to some divinity, with the reckless daring of one appointed to die, who has nothing to lose.
Aglaya looked menacingly at her laughing sisters, but could not contain herself any longer, and the next minute she too had burst into an irrepressible, and almost hysterical, fit of mirth. At length she jumped up, and ran out of the room. “Oh, it’s too horrible!” cried poor Colia, sobbing with shame and annoyance.By the end of the third day the incident of the eccentric lady and Evgenie Pavlovitch had attained enormous and mysterious proportions in his mind. He sorrowfully asked himself whether he had been the cause of this new “monstrosity,” or was it... but he refrained from saying who else might be in fault. As for the letters N.P.B., he looked on that as a harmless joke, a mere childish piece of mischief--so childish that he felt it would be shameful, almost dishonourable, to attach any importance to it.
The prince had grown animated as he spoke, and a tinge of colour suffused his pale face, though his way of talking was as quiet as ever. The servant followed his words with sympathetic interest. Clearly he was not at all anxious to bring the conversation to an end. Who knows? Perhaps he too was a man of imagination and with some capacity for thought.
“I have observed,” said the prince, “that he seems to be an object of very singular interest to you, Evgenie Pavlovitch. Why is it?”“Oughtn’t-oughtn’t we to secure her?” asked the general of Ptitsin, in a whisper; “or shall we send for the authorities? Why, she’s mad, isn’t she--isn’t she, eh?”
“Why, it would be a game to cry over--not to laugh at!” said the actress.
| “And would you marry a woman like that, now?” continued Gania, never taking his excited eyes off the prince’s face. |
| When recalling all this afterwards the prince could not for the life of him understand how to reconcile the beautiful, sincere, pure nature of the girl with the irony of this jest. That it was a jest there was no doubt whatever; he knew that well enough, and had good reason, too, for his conviction; for during her recitation of the ballad Aglaya had deliberately changed the letters A. N. B. into N. P. B. He was quite sure she had not done this by accident, and that his ears had not deceived him. At all events her performance--which was a joke, of course, if rather a crude one,--was premeditated. They had evidently talked (and laughed) over the ‘poor knight’ for more than a month. |
| “Oh, damn the peasant girl! go on, go on!” said Gania, impatiently. |
| It was now Totski’s turn, and his story was awaited with great curiosity--while all eyes turned on Nastasia Philipovna, as though anticipating that his revelation must be connected somehow with her. Nastasia, during the whole of his story, pulled at the lace trimming of her sleeve, and never once glanced at the speaker. Totski was a handsome man, rather stout, with a very polite and dignified manner. He was always well dressed, and his linen was exquisite. He had plump white hands, and wore a magnificent diamond ring on one finger. |
“He is a lodger of ours,” explained the latter.
| “Hippolyte,” said the prince, “give me the papers, and go to bed like a sensible fellow. We’ll have a good talk tomorrow, but you really mustn’t go on with this reading; it is not good for you!” |
“A crowd of people had collected to see how she would cry. The parson, a young fellow ambitious of becoming a great preacher, began his sermon and pointed to Marie. ‘There,’ he said, ‘there is the cause of the death of this venerable woman’--(which was a lie, because she had been ill for at least two years)--‘there she stands before you, and dares not lift her eyes from the ground, because she knows that the finger of God is upon her. Look at her tatters and rags--the badge of those who lose their virtue. Who is she? her daughter!’ and so on to the end.
| But as we said before, the fact of Adelaida’s approaching marriage was balm to the mother. For a whole month she forgot her fears and worries. |
| Varia had quietly entered the room, and was holding out the portrait of Nastasia Philipovna to her mother. |
| “God forbid that he should share your ideas, Ivan Fedorovitch!” his wife flashed back. “Or that he should be as gross and churlish as you!” |
| “Had you not better light a candle?” said Muishkin. |
The speech of Lebedeff’s nephew caused a certain stir among the company; murmurs arose, though with the exception of Lebedeff, who was still very much excited, everyone was careful not to interfere in the matter. Strangely enough, Lebedeff, although on the prince’s side, seemed quite proud of his nephew’s eloquence. Gratified vanity was visible in the glances he cast upon the assembled company.
| “I have no wit, Nastasia Philipovna,” began Ferdishenko, “and therefore I talk too much, perhaps. Were I as witty, now, as Mr. Totski or the general, I should probably have sat silent all the evening, as they have. Now, prince, what do you think?--are there not far more thieves than honest men in this world? Don’t you think we may say there does not exist a single person so honest that he has never stolen anything whatever in his life?” |
“Good-morning! My head whirls so; I didn’t sleep all night. I should like to have a nap now.”
A few moments later, the prince was seated by Nastasia on the sofa, gazing into her eyes and stroking her face and hair, as he would a little child’s. He laughed when she laughed, and was ready to cry when she cried. He did not speak, but listened to her excited, disconnected chatter, hardly understanding a word of it the while. No sooner did he detect the slightest appearance of complaining, or weeping, or reproaching, than he would smile at her kindly, and begin stroking her hair and her cheeks, soothing and consoling her once more, as if she were a child.
He paused, breathless.
“Your exclamation proves the generous sympathy of your nature, prince; for four hundred roubles--to a struggling family man like myself--is no small matter!”
| “I know nothing, Nastasia Philipovna. I have seen nothing. You are right so far; but I consider that you would be honouring me, and not I you. I am a nobody. You have suffered, you have passed through hell and emerged pure, and that is very much. Why do you shame yourself by desiring to go with Rogojin? You are delirious. You have returned to Mr. Totski his seventy-five thousand roubles, and declared that you will leave this house and all that is in it, which is a line of conduct that not one person here would imitate. Nastasia Philipovna, I love you! I would die for you. I shall never let any man say one word against you, Nastasia Philipovna! and if we are poor, I can work for both.” |
“Parfen, I am not your enemy, and I do not intend to oppose your intentions in any way. I repeat this to you now just as I said it to you once before on a very similar occasion. When you were arranging for your projected marriage in Moscow, I did not interfere with you--you know I did not. That first time she fled to me from you, from the very altar almost, and begged me to ‘save her from you.’ Afterwards she ran away from me again, and you found her and arranged your marriage with her once more; and now, I hear, she has run away from you and come to Petersburg. Is it true? Lebedeff wrote me to this effect, and that’s why I came here. That you had once more arranged matters with Nastasia Philipovna I only learned last night in the train from a friend of yours, Zaleshoff--if you wish to know.
He leaped into the carriage after Nastasia and banged the door. The coachman did not hesitate a moment; he whipped up the horses, and they were off.
“Are you out of your mind?” cried the prince, almost starting from his seat. “What do they accuse you of? Who accuses you?” “Oh no! Never.”| The prince had not seen _her_ for more than three months. All these days since his arrival from Petersburg he had intended to pay her a visit, but some mysterious presentiment had restrained him. He could not picture to himself what impression this meeting with her would make upon him, though he had often tried to imagine it, with fear and trembling. One fact was quite certain, and that was that the meeting would be painful. |
Aglaya gazed at him for some seconds with precisely the same composure and calm astonishment as she had shown a little while before, when the prince handed her the note, and it appeared that this calm surprise and seemingly absolute incomprehension of what was said to her, were more terribly overwhelming to Gania than even the most plainly expressed disdain would have been.
| That the prince was almost in a fever was no more than the truth. He wandered about the park for a long while, and at last came to himself in a lonely avenue. He was vaguely conscious that he had already paced this particular walk--from that large, dark tree to the bench at the other end--about a hundred yards altogether--at least thirty times backwards and forwards. |
“My dear, ‘_se trompe_’ is easily said. Do you remember any case at all like it? Everybody was at their wits’ end. I should be the first to say ‘_qu’on se trompe_,’ but unfortunately I was an eye-witness, and was also on the commission of inquiry. Everything proved that it was really he, the very same soldier Kolpakoff who had been given the usual military funeral to the sound of the drum. It is of course a most curious case--nearly an impossible one. I recognize that... but--”