| “But I tell you she is not in Pavlofsk! She’s in Colmina.” |
“I have lost four hundred roubles out of my side pocket! They’re gone!” said Lebedeff, with a sour smile.
No one met him; the verandah was empty, and nearly pitch dark. He opened the door into the room, but it, too, was dark and empty. He stood in the middle of the room in perplexity. Suddenly the door opened, and in came Alexandra, candle in hand. Seeing the prince she stopped before him in surprise, looking at him questioningly.
“An idiot!”
“There,” explained the prince, with great delight and animation, “there, that’s the abbot’s real signature--from a manuscript of the fourteenth century. All these old abbots and bishops used to write most beautifully, with such taste and so much care and diligence. Have you no copy of Pogodin, general? If you had one I could show you another type. Stop a bit--here you have the large round writing common in France during the eighteenth century. Some of the letters are shaped quite differently from those now in use. It was the writing current then, and employed by public writers generally. I copied this from one of them, and you can see how good it is. Look at the well-rounded a and d. I have tried to translate the French character into the Russian letters--a difficult thing to do, but I think I have succeeded fairly. Here is a fine sentence, written in a good, original hand--‘Zeal triumphs over all.’ That is the script of the Russian War Office. That is how official documents addressed to important personages should be written. The letters are round, the type black, and the style somewhat remarkable. A stylist would not allow these ornaments, or attempts at flourishes--just look at these unfinished tails!--but it has distinction and really depicts the soul of the writer. He would like to give play to his imagination, and follow the inspiration of his genius, but a soldier is only at ease in the guard-room, and the pen stops half-way, a slave to discipline. How delightful! The first time I met an example of this handwriting, I was positively astonished, and where do you think I chanced to find it? In Switzerland, of all places! Now that is an ordinary English hand. It can hardly be improved, it is so refined and exquisite--almost perfection. This is an example of another kind, a mixture of styles. The copy was given me by a French commercial traveller. It is founded on the English, but the downstrokes are a little blacker, and more marked. Notice that the oval has some slight modification--it is more rounded. This writing allows for flourishes; now a flourish is a dangerous thing! Its use requires such taste, but, if successful, what a distinction it gives to the whole! It results in an incomparable type--one to fall in love with!”
“Comparatively to what?”
“I don’t understand your thoughts, Lizabetha Prokofievna; but I can see that the fact of my having written is for some reason repugnant to you. You must admit that I have a perfect right to refuse to answer your questions; but, in order to show you that I am neither ashamed of the letter, nor sorry that I wrote it, and that I am not in the least inclined to blush about it” (here the prince’s blushes redoubled), “I will repeat the substance of my letter, for I think I know it almost by heart.”| “He turns people out of a house that isn’t his own,” muttered Rogojin. |
“Yes,” said Muishkin, with some surprise.
“Speak!” said the general, beside himself with rage and excitement; “speak--under the penalty of a father’s curse!”
Late in the evening Colia came in with a whole budget of Petersburg and Pavlofsk news. He did not dwell much on the Petersburg part of it, which consisted chiefly of intelligence about his friend Hippolyte, but passed quickly to the Pavlofsk tidings. He had gone straight to the Epanchins’ from the station.
| The prince gazed into his face with pleasure, but still seemed to have no power to speak. His breath failed him. The old man’s face pleased him greatly. |
“Never.”
“Wait a minute, I want to ask you something else, Parfen; all sorts of things; but tell me first, did you intend to kill her before my wedding, at the church door, with your knife?”
“Enough--enough!” said the latter, with insistence, but all of a tremble with excitement.“Are you really throwing us all over, little mother? Where, where are you going to? And on your birthday, too!” cried the four girls, crying over her and kissing her hands.
| “Hush! hush! Gavrila Ardalionovitch!” cried Muishkin in dismay, but it was too late. |
| All this was no doubt extremely coarse, and moreover it was premeditated, but after all Ferdishenko had persuaded everyone to accept him as a buffoon. |
Of course, the last argument was the chief one. The maternal heart trembled with indignation to think of such an absurdity, although in that heart there rose another voice, which said: “And _why_ is not the prince such a husband as you would have desired for Aglaya?” It was this voice which annoyed Lizabetha Prokofievna more than anything else.
“Look here, Aglaya--” began the general.
“Seeking?”“Hey! look at it, it’ll burn in another minute or two!” cried Nastasia Philipovna. “You’ll hang yourself afterwards, you know, if it does! I’m not joking.”
| A silly, meaningless smile played on his white, death-like lips. He could not take his eyes off the smouldering packet; but it appeared that something new had come to birth in his soul--as though he were vowing to himself that he would bear this trial. He did not move from his place. In a few seconds it became evident to all that he did not intend to rescue the money. |
| “I daren’t say, one way or the other; all this is very strange--but--” |