Lebedeff bowed low. “It is the truth,” he replied, with extreme respect.

“He burned his hand!”
“Oh, my good sir, I assure you it’s entirely the same to me. Please leave me in peace,” said Evgenie, angrily, turning his back on him.

“Oh, dear! oh, dear!” cried Ferdishenko. “I did so hope the prince would come out first, and then the general. Well, gentlemen, I suppose I must set a good example! What vexes me much is that I am such an insignificant creature that it matters nothing to anybody whether I have done bad actions or not! Besides, which am I to choose? It’s an _embarras de richesse_. Shall I tell how I became a thief on one occasion only, to convince Afanasy Ivanovitch that it is possible to steal without being a thief?”

Gania stood before her, in his evening clothes, holding his white gloves and hat in his hand, speechless and motionless, with arms folded and eyes fixed on the fire. The prince rose and began to speak in a trembling, timid tone, but with the air of a man absolutely sure of the truth of his words.

In a word, Ferdishenko was very angry and rapidly forgetting himself; his whole face was drawn with passion. Strange as it may appear, he had expected much better success for his story. These little errors of taste on Ferdishenko’s part occurred very frequently. Nastasia trembled with rage, and looked fixedly at him, whereupon he relapsed into alarmed silence. He realized that he had gone a little too far.

“An old peasant woman opened the door; she was busy lighting the ‘samovar’ in a tiny kitchen. She listened silently to my questions, did not understand a word, of course, and opened another door leading into a little bit of a room, low and scarcely furnished at all, but with a large, wide bed in it, hung with curtains. On this bed lay one Terentich, as the woman called him, drunk, it appeared to me. On the table was an end of candle in an iron candlestick, and a half-bottle of vodka, nearly finished. Terentich muttered something to me, and signed towards the next room. The old woman had disappeared, so there was nothing for me to do but to open the door indicated. I did so, and entered the next room.

“You exaggerate the matter very much,” said Ivan Petrovitch, with rather a bored air. “There are, in the foreign Churches, many representatives of their faith who are worthy of respect and esteem.”

Vera Lebedeff was one of the first to come to see him and offer her services. No sooner did she catch sight of him than she burst into tears; but when he tried to soothe her she began to laugh. He was quite struck by the girl’s deep sympathy for him; he seized her hand and kissed it. Vera flushed crimson.

“No, I had better speak,” continued the prince, with a new outburst of feverish emotion, and turning towards the old man with an air of confidential trustfulness. “Yesterday, Aglaya Ivanovna forbade me to talk, and even specified the particular subjects I must not touch upon--she knows well enough that I am odd when I get upon these matters. I am nearly twenty-seven years old, and yet I know I am little better than a child. I have no right to express my ideas, and said so long ago. Only in Moscow, with Rogojin, did I ever speak absolutely freely! He and I read Pushkin together--all his works. Rogojin knew nothing of Pushkin, had not even heard his name. I am always afraid of spoiling a great Thought or Idea by my absurd manner. I have no eloquence, I know. I always make the wrong gestures--inappropriate gestures--and therefore I degrade the Thought, and raise a laugh instead of doing my subject justice. I have no sense of proportion either, and that is the chief thing. I know it would be much better if I were always to sit still and say nothing. When I do so, I appear to be quite a sensible sort of a person, and what’s more, I think about things. But now I must speak; it is better that I should. I began to speak because you looked so kindly at me; you have such a beautiful face. I promised Aglaya Ivanovna yesterday that I would not speak all the evening.”

Five seconds after the disappearance of the last actor in this scene, the police arrived. The whole episode had not lasted more than a couple of minutes. Some of the spectators had risen from their places, and departed altogether; some merely exchanged their seats for others a little further off; some were delighted with the occurrence, and talked and laughed over it for a long time.
At the first sound of Nastasia’s voice a shudder ran through her frame. Of course “that woman” observed and took in all this.

Not finding the prince on his death-bed, Lizabetha Prokofievna had been misled by his appearance to think him much better than he was. But his recent illness, the painful memories attached to it, the fatigue of this evening, the incident with “Pavlicheff’s son,” and now this scene with Hippolyte, had all so worked on his oversensitive nature that he was now almost in a fever. Moreover, a new trouble, almost a fear, showed itself in his eyes; he watched Hippolyte anxiously as if expecting something further.

“Artists always draw the Saviour as an actor in one of the Gospel stories. I should do differently. I should represent Christ alone--the disciples did leave Him alone occasionally. I should paint one little child left with Him. This child has been playing about near Him, and had probably just been telling the Saviour something in its pretty baby prattle. Christ had listened to it, but was now musing--one hand reposing on the child’s bright head. His eyes have a far-away expression. Thought, great as the Universe, is in them--His face is sad. The little one leans its elbow upon Christ’s knee, and with its cheek resting on its hand, gazes up at Him, pondering as children sometimes do ponder. The sun is setting. There you have my picture.
“‘Tis he, ‘tis he!” he said at last, quietly, but with much solemnity. “As though he were alive once more. I heard the familiar name--the dear familiar name--and, oh! how it reminded me of the irrevocable past--Prince Muishkin, I believe?”
The prince had told Evgenie Pavlovitch with perfect sincerity that he loved Nastasia Philipovna with all his soul. In his love for her there was the sort of tenderness one feels for a sick, unhappy child which cannot be left alone. He never spoke of his feelings for Nastasia to anyone, not even to herself. When they were together they never discussed their “feelings,” and there was nothing in their cheerful, animated conversation which an outsider could not have heard. Daria Alexeyevna, with whom Nastasia was staying, told afterwards how she had been filled with joy and delight only to look at them, all this time.

“My goodness!” shivered the clerk. “And his father,” he added, for the prince’s instruction, “and his father would have given a man a ticket to the other world for ten roubles any day--not to speak of ten thousand!”

“Why, then of course, you won’t say anything about it. As if there are not plenty of sins to your score without the need of those!” said Ferdishenko.

He shuddered and stopped; she seized his hand and pressed it frenziedly.
“If he cared to kiss you, that is,” said Alexandra, whose cheeks were red with irritation and excitement.
“What is the matter, excellency? I know how to keep my place. When I said just now that we, you and I, were the lion and the ass of Kryloff’s fable, of course it is understood that I take the role of the ass. Your excellency is the lion of which the fable remarks:

She had then asked him to play cards--the game called “little fools.” At this game the tables were turned completely, for the prince had shown himself a master at it. Aglaya had cheated and changed cards, and stolen others, in the most bare-faced way, but, in spite of everything the prince had beaten her hopelessly five times running, and she had been left “little fool” each time.

“Yes, sir--on that very spot.” The prince gazed strangely at Lebedeff. “And the general?” he asked, abruptly.
“Oh, but Lebedeff cannot have been in Moscow in 1812. He is much too young; it is all nonsense.”
The neighbours undoubtedly did hear. Varia rushed out of the room.
“Did you hit her?”
“The very time when he was cringing before you and making protestations of devotion! Oh, the mean wretches! I will have nothing to do with your Pushkin, and your daughter shall not set foot in my house!”
The prince tried to speak, but could not form his words; a great weight seemed to lie upon his breast and suffocate him.

“Well, it was a little drawn out, perhaps; but--”

“I? I? Do you mean me? Often, my friend, often! I only pretended I had not in order to avoid a painful subject. You saw today, you were a witness, that I did all that a kind, an indulgent father could do. Now a father of altogether another type shall step into the scene. You shall see; the old soldier shall lay bare this intrigue, or a shameless woman will force her way into a respectable and noble family.”
The prince who, up to yesterday, would not have believed that he could even dream of such an impossible scene as this, stood and listened and looked on, and felt as though he had long foreseen it all. The most fantastic dream seemed suddenly to have been metamorphosed into the most vivid reality.
“At last!” murmured Lizabetha Prokofievna indignantly.
“Yes, it’s a droll situation; I really don’t know what advice to give you,” replied Evgenie, laughing. Hippolyte gazed steadfastly at him, but said nothing. To look at him one might have supposed that he was unconscious at intervals.

“Oh, come, come! You are exaggerating,” said Ivan Petrovitch, beaming with satisfaction, all the same. He was right, however, in this instance, for the report had reached the prince’s ears in an incorrect form.

“I don’t quite agree with you that your father is out of his mind,” he observed, quietly. “On the contrary, I cannot help thinking he has been less demented of late. Don’t you think so? He has grown so cunning and careful, and weighs his words so deliberately; he spoke to me about that Kapiton fellow with an object, you know! Just fancy--he wanted me to--”
The prince went out deep in thought, and walked up and down the pavement for some time. The windows of all the rooms occupied by Rogojin were closed, those of his mother’s apartments were open. It was a hot, bright day. The prince crossed the road in order to have a good look at the windows again; not only were Rogojin’s closed, but the white blinds were all down as well.
Rogojin began to wander--muttering disconnectedly; then he took to shouting and laughing. The prince stretched out a trembling hand and gently stroked his hair and his cheeks--he could do nothing more. His legs trembled again and he seemed to have lost the use of them. A new sensation came over him, filling his heart and soul with infinite anguish.
“Pavlicheff?--Pavlicheff turned Roman Catholic? Impossible!” he cried, in horror.

“I am assuredly noble-minded, and chivalrous to a degree!” said Keller, much softened. “But, do you know, this nobility of mind exists in a dream, if one may put it so? It never appears in practice or deed. Now, why is that? I can never understand.”

“The night before the ball I met Peter, looking radiant. ‘What is it?’ I ask. ‘I’ve found them, Eureka!’ ‘No! where, where?’ ‘At Ekshaisk (a little town fifteen miles off) there’s a rich old merchant, who keeps a lot of canaries, has no children, and he and his wife are devoted to flowers. He’s got some camellias.’ ‘And what if he won’t let you have them?’ ‘I’ll go on my knees and implore till I get them. I won’t go away.’ ‘When shall you start?’ ‘Tomorrow morning at five o’clock.’ ‘Go on,’ I said, ‘and good luck to you.’
“You ought to be whipped, Colia, you silly boy. If you want anything” (to the prince) “please apply to the servant. We dine at half-past four. You can take your dinner with us, or have it in your room, just as you please. Come along, Colia, don’t disturb the prince.”
But at this moment something happened which put a most unexpected end to the orator’s speech. All this heated tirade, this outflow of passionate words and ecstatic ideas which seemed to hustle and tumble over each other as they fell from his lips, bore evidence of some unusually disturbed mental condition in the young fellow who had “boiled over” in such a remarkable manner, without any apparent reason.

If only he could find an opportunity of coming close up to Nastasia Philipovna and saying to her: “Don’t ruin yourself by marrying this man. He does not love you, he only loves your money. He told me so himself, and so did Aglaya Ivanovna, and I have come on purpose to warn you”--but even that did not seem quite a legitimate or practicable thing to do. Then, again, there was another delicate question, to which he could not find an answer; dared not, in fact, think of it; but at the very idea of which he trembled and blushed. However, in spite of all his fears and heart-quakings he went in, and asked for Nastasia Philipovna.

Gania began, but did not finish. The two--father and son--stood before one another, both unspeakably agitated, especially Gania.

“Then you think Aglaya Ivanovna herself intends to go to Nastasia Philipovna’s tonight?” he asked, and bright hectic spots came out on his cheeks and forehead.
“Very good. That would increase our income nicely. Have you any intention of being a Kammer-junker?”
“I don’t know.”

Of course much was said that could not be determined absolutely. For instance, it was reported that the poor girl had so loved her future husband that she had followed him to the house of the other woman, the day after she had been thrown over; others said that he had insisted on her coming, himself, in order to shame and insult her by his taunts and Nihilistic confessions when she reached the house. However all these things might be, the public interest in the matter grew daily, especially as it became clear that the scandalous wedding was undoubtedly to take place.

Little by little he became very happy indeed. All his late anxieties and apprehensions (after his conversation with Lebedeff) now appeared like so many bad dreams--impossible, and even laughable.

The present visitor, Ptitsin, was also afraid of her. This was a young fellow of something under thirty, dressed plainly, but neatly. His manners were good, but rather ponderously so. His dark beard bore evidence to the fact that he was not in any government employ. He could speak well, but preferred silence. On the whole he made a decidedly agreeable impression. He was clearly attracted by Varvara, and made no secret of his feelings. She trusted him in a friendly way, but had not shown him any decided encouragement as yet, which fact did not quell his ardour in the least.

Rogojin stared intently at them; then he took his hat, and without a word, left the room.